I am an artist who embraces technology as a natural extension of imagination. As a child, pen and paper opened the doorway to infinite worlds. As a designer, I learned the power of vectors and the precision of pixels. In 3D, I found a new environment that imitated reality, yet allowed me to bend its rules and achieve new visual results.
Now, AI expands the canvas once again. As an artist, I want to be in the flow while actively making. Not typing and waiting, but shaping ideas in real time. I’m drawn to the computational nature of AI, to its ability to reveal new ways of seeing my work.
AI is not my replacement. It is my collaborator, uncovering hidden structures, new patterns, and dimensions.
Every era brings a new tool. This one happens to think.
The In-Between
Back in 2008, I went outside with my camera and photographed a series of leafless trees. Those images became Winter Bugs, a study in form, structure, and stillness. Eleven years later, in 2019, I revisited that early work to create Spring Bugs, a 3D series that brought new life to silhouettes inspired by the originals.
With AI now part of my toolset, I saw an opportunity to push the dialogue further. Using Krea’s realtime screen-capture feature, I combined a Winter Bug as the source image with a Spring Bug as the style reference. I kept the AI intensity between 45% and 55%, allowing both to coexist. A balance between the past and the possible. They were animated until Kling 2.5.
